By Charles M. Oliver
"Critical spouse to Walt Whitman" includes entries on each one of Walt Whitman's poems, from the generally well-known "Song of Myself," "When Lilacs final within the Dooryard Bloom'd," and "Out of the Cradle without end Rocking," to his minor works. His significant prose works, reminiscent of "A Backward look O'er Travel'd Roads" and "Democratic Vistas", every one version of "Leaves of Grass", and designated phrases used or coined by way of Whitman, equivalent to "Eidolons" and "Paumanok," also are coated. supporting readers comprehend the affects on his lifestyles are entries on Whitman's relatives, associates, kin, and buddies; very important locations the place he lived and labored; and concepts very important to his paintings. a vital reference consultant, this single-volume addition to the "Critical better half" sequence gives you a wealth of knowledge at the existence and works of this nice American writer.
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Additional resources for A Critical Companion To Walt Whitman: A Literary Reference To His Life And Work
The funeral was held on March 30, with several thousand people walking slowly past the coffin at the Mickle Street house and thousands following the procession to Harleigh Cemetery, about two Biography 25 Whitman’s tomb at the Harleigh Cemetery in Camden, New Jersey. The funeral was held on March 30, 1892. (Library of Congress, Prints and Photographs Division) miles away. A large tent was set up for the services, and, though there was no minister present, there were five speakers: Thomas B. HARNED, Robert G.
John Burroughs was concerned enough to write to Charles Eldridge that he doubted “whether Walt is 21 going to recover. . He is a mere physical wreck to what he was. . ” Yet he would live another 19 years. He worked part-time at his clerk’s job in Washington, but then decided to move in with George and Louisa at 322 Stevens Street, Camden. They moved to 431 Stevens Street in September, and Walt took a room on the third floor. Though he kept his room in Washington for a time, he would not be a resident there again.
See, from my dead lips the ooze exuding at last, . . Buoy’d hither from many moods, one contradicting another, From the storm, the long calm, the darkness, the swell, . . We, capricious, brought hither we know not whence, spread out before you, You up there walking or sitting, Whoever you are, we too lie in drifts at your feet. The poet envisions himself and his poems as “loose windrows,” dry leaves swept together like “little corpses,” tossed up by the ocean along the shore and his own drowned body part of the drift.